How the term "unheard" is understood would be worthy of investigation, similar to the vehemently justified theory of the unpredictable in improvised music. How unpredictable is it in truth? How far must we zoom in to find the unpredictable?

Nina Polasschegg: Klangforschung als künstnerische Forschung / Sound Studies as arts-based Research, in: Gagel, Reinhard; Schwabe, Matthias (Hg/eds.): Improvisation erforschen - improvisierend forschen. Beiträge zur Exploration musikalischer Improvisation. / Researching improvisation - researching by improvisation. Bielefeld (Transcript Verlag) 2016. Bilingual throughout. P.299, footnote.

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