In Kobe and Osaka there are regular workshops every month, open to all improvisors - like we know it at various places in Germany, for instance. In the Osaka one I visited, there was a coordinator arranging who played with whom. Afterwards, everybody was asked to say a few words about how he or she felt about playing that evening. Also, the coordinators ended with some general advice - listen to the context and don't play too loud was one statement. Another statement adviced participants to loosen up fixed styles. - I was later told that the Osaka workshop was different from the Kobe one - usually louder. This is because Osaka is the birth place of the genre known as noise music - even if Osaka and Kobe seems to have melted into one big city for the traveller coming from outside. |
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A dancer and the author at Osaka workshop in Cocoroom Café |
Goodman's with Toshiya Nakamozo, Hideo Ikegami and Morishige Yasumune |
Shops and distributors generally deal solely with factory produced CDs, however. Even with fine releases in this part of the market, those interested in improvised music as such should be sure to check the CD-R market, as some of the most relevant music might be located here. CDs are sold by individual musicians at concerts, but maybe also by post order. You could use the links in my Japan section to begin researching...Listening to the records I got and bought in Japan with free improvised music, the quality of music is pleasantly high. There is much variation between improvisations and much life and interesting development inside improvisations. Maybe it's the very big scene that inspire people? In this case, the slogan "Ambitious Japan" seen on the Shinkansen train seems also to apply here ... :-) |
Some Western books relevant to improvised music have been translated into Japanese: Derek Bailey: Improvisation. The Nature and Practise of Music. John Cage: Silence Erhard Karkoshka: Das Schriftbild der neuen Musik (English ed.: Notation in New Music) Michael Nyman: Experimental Music. Cage and Beyond. |
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Concert programme from Takamatsu, 17th July 2005. |
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